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Meanwhile mobilisation is underway for a total war in which magic is merely another WMD. Supposedly fearsome, Howl turns out to be a drama queen with a yellow streak – albeit a rather dashing one, in an androgynous, Manga sort of way. Freely adapted from Diana Wynne Jones’ novel, ‘Howl’s Moving Castle’ is the story of Sophie, a hard-working, self-effacing teenager who takes refuge with the wizard Howl after being transformed into a crone by the Witch of the Waste (a well-coutured whale of a woman voiced by Lauren Bacall). Still, it’s an apt symbol for a film whose copious initial charm diminishes on closer acquaintance. The innards prove less impressive, especially for anyone imagining a bustling citadel to rival the divine bath-house of ‘Spirited Away’ with activity largely restricted to a kitchen-living room, it feels more like Howl’s moving bedsit.
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These countries go to war over such a trivial matter as the disappearance of a crown prince and this war takes place despite there not being any evidence concerning whether one of them was responsible for the disappearance.The first long shot of Howl’s castle, moving through the fog of an Alpine pasture, is a doozy: its bullfrog-battleship bulk huffing and chunting along on a set of sure-clawed chicken-legs, it’s the sort of organic-hydraulic hybrid at which Miyazaki excels. Her acceptance of who she is as well as her willingness to make sacrifices for the sake of her friends allows her to be returned to her much younger form and helps her win the love of Howl.Ĭonflict is a recurring theme throughout the film and this is mainly as a result of the war that takes place between the country in which the story is told and a neighboring country over the disappearance of the latter’s crown prince. It is essential to note that it is as a result of her strength of character that her true self comes to the surface even though she seems to be an old woman. She becomes a mother figure for the other characters as she not only works towards ensuring that there is peace among them but also puts herself in danger so that they can remain safe from their enemies. Her acceptance of what she has become is an extremely rare occurrence because it shows that Sophie is a woman of character that does not shy away from serious problems but rather confronts them as they are. She tries her best to make her life worthwhile and this is a factor that endears her to her audience in such a manner that allows her to feature in other significant plotlines throughout the film without becoming boring. Through her ordeal, she comes to discover how much she has lost and as a result of this discovery, she is able to accept herself as an old woman. However, all these change when she comes to experience life as an old woman. Sophie is a woman who feels that she is not as beautiful as her older sister and that she is just a plain person that is not worthy of any attention.
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The most important theme in the film is that of self-discovery and this is seen through the life of Sophie, a young and beautiful woman who is turned into a 90-year old by the Witch of the Waste. This paper seeks to show that the film has a number of extremely important themes namely self-discovery, hope, conflict, redemption, and love, that ensure that the storyline remains interesting.